Principle Three of Music And The Worshiping Church by Harold Best

This week on worship.vintage21.com, we’re looking at five principles of music making in a worshiping church, from Harold Best’s Music Through The Eyes Of Faith.

Principle Three: In texted music, there is a distinction between the role of the text and that of music.

Best uses Ephesians 5:19 in support:
addressing one another in psalms and hymns and spiritual songs, singing and making melody to the Lord with your heart,

“Paul first recognizes the didactic importance of these song types as text, therefore as proclamation and teaching (addressing one another). He then shifts the direction by instructing the Christians to make music, or as some translations put it, to make melody, in (with) their hearts to the Lord.” Harold Best, page 185

While singing words and making melody are both normative expressions of worship found and even commanded in scripture, it’s doubtful anyone would argue that music could express the truth of God that we find in text. Otherwise, God may have left an arrangement of musical notes to be played instead of his written scriptures. Therefore, most people recognize the importance of the words we sing over the music we make. This can be taken too far, especially in church settings, and result in an environment where words are valued and music is not, instead of an environment that stewards the value and importance of both music and lyrics, with a proper emphasis on the words. To an unbelieving world, it comes across as somewhat crazy that believers would tolerate such poor music, and instead of being drawn to the One who created music and commands us to use the gifts he’s given us to make amazing melodies, they are drawn to those outside of the church, who are actually stewarding the gifts given to them. Not stewarding in the biblical sense, but in a practical sense of developing skill and creativity. The resulting stereotype is that Christians are boring, non-creative, and their God is as well. How I long for the day when music made within the church exceeds that made in the world around us! When will the melodies and music be so undeniably amazing that the next Radiohead cites a church band as an influence?

Getting back to Best’s principle, he points out Paul’s distinction more clearly than I’ve previously grasped:
1. We can and should instruct one another with text. Music cannot do this.
2. Music is made to the Lord first, and to one another second.

This is often switched, with churches singing lyrics to the Lord without considering the instructional or missional aspect, and making music first to one another, and to the Lord second. The result can be churchy lyrics, with ripped-off musical styles from the world around, in an attempt to draw non-believers into church. Have you ever been to a church where lyrics such as “We lift holy hands to the Lamb” are sung? While these lyrics can bring praise to God, they are sung with an assumption that each person has not only grown up in church, and thus have a familiarity with these phrase, but also that they understand what these lyrics mean. The resulting number of people who can actually worship God with a clear understanding is diminished greatly, thus splitting the congregation and isolating many. I would argue that our lyrics should be God-honoring, sung in Spirit and Truth, but also be clear enough to teach non-believers who have joined us about God.

The musical aspect of Ephesians 5:19 and Best’s principle is more difficult, because I long to create music that draws people into worship, and the temptation is to begin with this in mind, instead of working from a desire to make music to the Lord. At the heart of my hesitation is doubt in the role and work of the Holy Spirit. God has given me gifts in the first place, and it is He who guides and develops those gifts, and He who gives me songs. His heart is to draw people to himself, so his songs will do that better than my sorry attempts to re-create the magic of Coldplay or Arcade Fire in a service. Our mediocrity is not because we are too reliant upon God, making the boring churchy music the world thinks he loves, but just the opposite. We do more than look to the culture around for cues, which is wise from a missional standpoint, but we instead look to that culture for inspiration and guidance in melody and music.

What if we started looking first to God for inspiration and guidance in melody and music, praying that he would give us new songs, new melodies unheard of before, new harmonies and new tones?

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About the Author

Matt Stevens is the Worship Pastor for Vintage21 Church in Raleigh, North Carolina. Contact him via Twitter: @MattStevensNC